Alexandria

Apocrypha

The Book of Jubilees

by Unknown

Ancient (before 500 CE)IntermediateCosmos & Creation

Acts of Paul and Thecla

by Unknown

Ancient (before 500 CE)IntermediateDeath, Afterlife & Eternity

+4 more...

Early Church Fathers

The Didache (Teaching of the Twelve Apostles)

by Unknown

Ancient (before 500 CE)IntermediateEthics & the Good Life

Epistle of Barnabas

by Unknown

Ancient (before 500 CE)IntermediateEthics & the Good Life

+2 more...

Christian Mysticism

Scivias

by Hildegard of Bingen

Medieval (500–1500 CE)AdvancedUnion with the Divine

Dark Night of the Soul

by John of the Cross

Ancient (before 500 CE)AdvancedSelf-Knowledge & Transformation

+4 more...

All Books in Christian Mysticism & Gnosticism

The Book of Jubilees is a luminous retelling of Genesis and the early Exodus framed as an angelic revelation to Moses on Sinai. History unfolds in cycles of forty nine years, inscribed on heavenly tablets, where patriarchs walk beneath a sky attentive to covenant and Sabbath. Familiar stories deepen with new motives and laws, from the fall of the Watchers to the vows of Noah and Abraham, insisting that Torah springs from creation itself. Part chronicle, part calendar, part moral mirror, it offers a window into Second Temple faith and imagination for readers curious about origins, purity, festival time, and sacred order.

Cover of The Didache (Teaching of the Twelve Apostles)

The Didache is a compact handbook from the earliest Christian communities, likely from the first century, that reads like a lamp carried through catacomb corridors. It opens with two roads, one of life and one of death, then teaches love of God and neighbor with sharp moral clarity and generous mercy. Here you find how to pray the Lord's Prayer, when to fast, how to baptize, and how to share the Eucharistic cup and bread. It counsels hospitality to traveling prophets yet tests their sincerity, shapes communal discipline, and ends in watchful hope. Brief yet earthy, it offers a living sketch of the church before cathedrals and creeds.

An early Christian adventure where a young noblewoman leans from her window to drink in Paul’s preaching and rises to defy family, fiancé, and city. Thecla embraces celibacy as freedom, survives flames quenched by sudden rain, faces beasts while a lioness guards her, and plunges into a foaming pool to baptize herself, emerging as a teacher. The tale moves through Iconium and Antioch with the energy of rumor and miracle, lifting themes of bodily autonomy, discipleship, and divine shelter. Apocryphal yet influential, it offers a memorable portrait of female courage and the strange electrifying hope of the earliest Christian imagination.

Composed in the second century, The Acts of Peter is a vivid apocryphal adventure where the apostle strides through Rome like a storm of mercy and defiance. He heals, rebukes, and faces the glamor of Simon Magus, the showman sorcerer whose vaunts collapse when Peter prays and the city gasps. Between household conversions and sharp calls to renunciation the narrative builds toward martyrdom. On the Appian Way Peter meets Christ and asks Lord where are you going, then turns back to a cross he requests to be inverted as a sign that the world must be righted. Half legend, half sermon, it glows with early Christian imagination.

The Epistle of Barnabas is a fervent early Christian sermon that reads the Hebrew Bible through a Christ centered lens, turning dietary laws into moral portraits and sacrifices into signs of a new covenant. With sharp contrasts it claims the covenant belongs to those who follow Jesus and teaches the Two Ways the path of light and the path of darkness. It mingles allegory, number symbolism, and pastoral counsel, urging repentance, unity, and purity of heart. Expect a bold voice, sometimes combative, seeking to awaken a people to walk as living temples under the bright edge of dawn.

The Apocryphon of John opens with the risen Savior consoling a troubled John and unveiling a secret genesis. From the ineffable Father shines Barbelo the First Thought, then a cascade of aeons. When Sophia acts without her consort, a blind craftsman Yaldabaoth arises and fashions the lower heavens and the world, ruling with archons. Into Adam and Eve a stolen spark of the higher realm is breathed, and a sly serpent becomes a teacher. The Savior maps the soul's return through knowledge, repentance, and the five seals, past tyrant powers, back to the Fullness. A daring, luminous reimagining of creation and redemption.

The Thunder Perfect Mind is a Gnostic hymn in the voice of a radiant feminine presence who names herself as all things at once. She is the first and the last, honored and scorned, virgin and whore, mother and daughter, bride and bridegroom. Speaking like thunder and like a whisper, she calls seekers to look, listen, and take her into themselves. The poem breaks open our tidy categories and invites a vision where opposites meet in one hidden wisdom. Part oracle and part mirror, it unsettles and consoles, revealing a divine fullness that includes the heights and the low places within us.

The Sophia of Jesus Christ is a post resurrection dialogue in which Jesus meets twelve disciples and seven women on a mountain and unveils a shimmering map of reality. He speaks of the Invisible Father and the first emanation Barbelo, of aeons that overflow like light upon light, and of lesser rulers who weave the world in ignorance. The text blends myth and philosophy, offering seekers a calm instruction in how the soul remembers its origin and returns through knowledge and inner awakening. It reads like a lantern in a cavern, guiding newcomers into Gnostic imagination and the promise of freedom.

The Hymn of the Pearl tells of a young prince from the East sent to Egypt to win a single pearl guarded by a serpent. Clothed in a mortal disguise, he forgets his mission until a luminous letter from home awakens him. He charms the serpent, claims the pearl, and returns to be clothed once more in his robe of glory. This brief Gnostic song is both fairy tale and map of the soul. It evokes exile, amnesia, and the joy of remembrance. Read it as an allegory of inner awakening and return to our royal origin, sung in images of robe, sea, and light.

These selections from the Philokalia open a lucid doorway into early Christian reading of Scripture. Compiled by Basil the Great and Gregory of Nazianzus from the work of Origen, they argue that the Bible is a single instrument tuned by God, whose rough grammar and hidden knots invite patient hands and attentive hearts. You will find guidance on inspiration, allegory, logic as a humble servant, and philosophy as a useful lamp rather than a master. Expect counsel on heresy, divisions, and even the names we give to God. The result is a map for moving from surface to depth without losing the shoreline of faith.

Scivias, Know the Ways, is Hildegard of Bingen’s sweeping vision of salvation history, received in burning images and interpreted with lucid fervor. From a mountain of iron and a many eyed figure to living sparks that whirl like stars, she recounts twenty six revelations that move through creation, fall, redemption, the life of the Church, and the last things. The Trinity shines, the Church stands as radiant Bride, virtues contend with vices, and God’s greening vitality, viriditas, runs through all. Both prophecy and instruction, the book weds cosmic allegory to pastoral counsel and calls the reader to hear the divine voice and walk the way that leads to life.

Dark Night of the Soul is a luminous map of interior darkness. John of the Cross guides seekers through the purifying nights of sense and spirit, where familiar devotions feel dry and God seems absent so that love may be freed from clinging. He names the subtle attachments that stall growth, offers signs of authentic night over melancholy or sloth, and counsels patience, humility, and naked faith. The path is austere yet tender as a moonless path that teaches the eyes to widen. Out of silence and unknowing dawns a quiet union, where desire rests and the soul burns with a simple, steady flame.

A medieval monk speaks to a beginner in love, teaching a way of prayer that slips beyond ideas into a dark, tender silence. The Cloud of Unknowing says God is not grasped by thought but met by a naked intent of the will, a blind dart of love. Let every creature sink beneath a cloud of forgetting, let a simple word rise like a spark toward the cloud where God dwells beyond knowing. The voice is patient, practical, and bold, blending Christian devotion with a Zen like clarity. If you seek contemplative guidance rooted in humility and steadiness, this little book opens a quiet door.

Composed by an enclosed solitary in fourteenth century Norwich, this intimate narrative unfolds from a series of visions of Christ received during a near fatal illness. Julian contemplates the Trinity as pure love, holds the world like a hazelnut in her palm, and dares to speak of God with a tender motherly face. She wrestles with sin, suffering, and the meaning of evil, yet returns again and again to a refrain of boundless mercy where all shall be well. Part confession, part theology, part prayer, it is a luminous guide for readers seeking hope that does not deny wounds.

The Imitation of Christ is a small lamp for the inner room. In brief chapters Thomas a Kempis urges a turning from noise to the stillness where Christ teaches the soul. The path is humility, simplicity, obedience, patience, and love that prefers obscurity to applause. Knowledge yields to transformation, and consolation arises through Scripture, prayer, and the Eucharist. Often Christ himself speaks, drawing the reader toward a life shaped by the cross and made gentle by mercy. Though born in a monastery, its counsel fits any seeking a truer freedom and a steady heart in a world bright with distractions.

The Shepherd of Hermas is an early Christian dreambook in which a former slave wanders through visions of rivers, rocks, and a rising tower made of living stones. A radiant Elder who is the Church and a gentle yet exacting Shepherd who is the Angel of Repentance instruct him through mandates and parables about sin, generosity, marriage, and the peril of divided hearts. At its core it asks whether those who have fallen after baptism may be restored, and answers with a sober yes through tears, discipline, and mercy. Expect a devotional narrative that blends allegory with practical ethics, tender warning with hope.

Pistis Sophia is a visionary drama and teaching manual from the Gnostic world, where the risen Jesus instructs his circle as the fallen figure of Sophia cries from the depths of Chaos. Through hymns of repentance, secret names, and maps of the aeons, the text blends myth with ritual guidance for the soul’s ascent toward the Treasury of Light. Mary Magdalene shines as a primary questioner whose insight draws out hidden meanings. Expect cascading cosmology, moral exhortation, and luminous poetry that treats salvation as remembering the light within and learning how to pass the powers that bind.

The Gospel of Judas opens a hidden chamber in early Christian imagination, presenting a secret dialogue between Jesus and Judas across eight days before Passover. Here Judas is not a stock villain but the lone disciple who grasps the mystery, asked to hand over the body so the spirit may be set free. Jesus laughs at ritual piety and unveils a storm of cosmic realms, archons, and luminous aeons where true life resides beyond this world. Fragmentary yet vivid, the text challenges inherited narratives and invites readers to weigh betrayal, obedience, and knowledge as keys to salvation.

The Gospel of Truth reads like a luminous homily from the Gnostic tradition, not a biography of Jesus but a meditation on the Savior who reveals the unknown Father and dissolves ignorance like mist in morning light. In rich metaphors of fullness and forgetfulness it portrays Error as a fog that blinds and the Word as a voice that calls each soul by its true name. Knowledge becomes healing and joy, a homecoming to the source. Mark M. Mattison’s lucid translation lets newcomers taste its serene urgency and poetic fire, inviting seekers to listen for the quiet revelation already within.

Part dialogue and part vision, the Gospel of Mary opens with missing pages and a hush, then lets Mary Magdalene speak as a trusted student who carries the Savior’s secret counsel. Matter dissolves back to its root, sin is named a pattern of ignorance rather than a cosmic stain, and the way is inward where the mind finds its true child. Mary’s vision guides a trembling circle of disciples through fear and rivalry, and her authority is contested then affirmed. Mark M. Mattison’s clear rendering from Coptic lets this early Christian voice glow with calm fire, inviting seekers of wisdom to listen within.

The Gospel of Thomas, in Mark M. Mattison’s clear rendering, gathers 114 terse sayings attributed to the living Jesus, preserved in Coptic at Nag Hammadi and stripped of narrative and miracle to reveal a string of burning koans. It whispers that the kingdom is within and without, that to seek is to be disturbed then amazed, and that self knowledge opens into the life of the living Father. This distinctive early Christian voice with Gnostic inflections invites meditation rather than belief, asking readers to listen, circle, and return. Mattison’s translation keeps the edges and the music, making an austere text feel intimate, like a lamp lit inside the heart.

The Book of Enoch opens a door into early Jewish imagination, where a righteous ancestor is led by angels through the machinery of heaven. He witnesses the fall of the Watchers, the birth of giants, and a coming judgment that cleanses a wounded earth. Parables reveal the Elect One who brings justice, while tours of the luminaries map a sacred calendar of sun and stars. Heavenly tablets record human deeds, and the Epistle offers steady counsel to endure. Expect thundercloud visions, mountains of metal, and rivers of fire, all in service of a fierce hope that the faithful and the cosmos will be set right.

Cover of The Confessions of Saint Augustine

The Confessions is a soul speaking to God, part memoir, part prayer. Augustine traces his journey from youthful desires and borrowed philosophies to the quiet thunder of grace. In Carthage, Rome, and Milan he wrestles with ambition, Manichaean shadows, and a restless heart no lover or book could soothe. His mother Monica prays like a steady flame; Bishop Ambrose opens Scripture; a child’s voice says take and read. He confronts a stolen pear, the mystery of memory, and the vast river of time. The later books rise into meditation on creation and praise. For seekers, it offers candor, beauty, and a homeward path.

The Interior Castle is Teresa of Avila’s luminous guide to the soul, imagined as a crystal castle with many mansions, where at the innermost chamber God dwells like a sun. Teresa invites readers to cross threshold after threshold through prayer, self knowledge, humility, and love, facing distractions, aridity, and consolations with steady courage. Written for her sisters yet welcoming to all, it blends tender narrative with practical counsel, charting the stages from first awakenings to spiritual marriage. It is a map and a companionship for those who seek a life of interior freedom, where grace slowly turns desire into union.